Month: April 2019

The Crazy World of Arthur Brown – The Crazy World of Arthur Brown

ARTIST: The Crazy World of Arthur Brown   220px-ArthurBrownTheCrazyWorldofArthurBrown

TITLE: The Crazy World of Arthur Brown



SINGLES: Fire (#2 US, #1 UK), Nightmare

OTHER SONGS YOU MAY KNOW: They do cover I Put a Spell on You

LINEUP: Arthur Brown, Vincent Crane, Nick Greenwood, Drachen Theaker. John Marshall drummed on two songs.

WHAT’S IT ALL ABOUT: Wild, out-of-nowhere hit by jazz-psychedelic-proggy group led by one of the most unique individuals in rock music.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: There are so many rock and metal musicians that owe a debt to Arthur Brown, thanks to the makeup, the costume changes, the flaming helmet, and his heavy, spooky sound. Listening to the debut, they also learned a few things outside of trying to match “Fire”, too.

Brown and his band were a definite must see for a few years thanks to his dramatics, and the album definitely ups the drama as well. There’s spoken word pieces, insane cackles, Brown’s multi-octave voice, and the screams. All that in front of a mostly competent keyboard-based kinda-jazzy group led by Vincent Crane. (Crane was definitely competent, drummer Drachen Theaker was always on the chopping block to be replaced.)

This record is definitely a period piece (how could it not be) yet it’s an enjoyable trip back to the time where somehow this was a hit.

NOTES & MINUTIAE: This group was a favored opening act for many bands in the UK and the US. However, in 1969, Carl Palmer was on drums because of Theaker’s fear of flying. Palmer and Crane soon left after the tour to form Atomic Rooster, which led to Palmer being poached by Keith Emerson to form… know.

IS THERE A DELUXE VERSION: Yes. There’s the mono mix appended, and a few early singles (which are more hippy-dippy than anything).

 GRADE B: Oh, there’s pretention here and head scratching things, but it’s fun and Brown’s voice is pretty unique.

Ex Hex – Rips

ARTIST: Ex Hex                          Ex_Hex_Rips_artwork



CHART ACTION: #170, #24 Alternative, #46 Rock

SINGLES: Hot and Cold


LINEUP: Mary Timony, Laura Harris, Betsy Wright

WHAT’S IT ALL ABOUT: Mary Timony’s new project is a straight-ahead (relatively) rock-and-roll trio. It’s impressive.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: If you’ve been a fan of the underground, true-alternative music scene since the 90’s, you know Mary Timony as the leader of Helium and of her solo work. (One of her albums was called Ex Hex, BTW). She also was a ringleader in Wild Flag, a super-group of female alt-rockers that got fairly popular.

That last experience may have spurred her to abandon the minor key, weird tuning, and oddly structured music she was doing for almost two decades, and move towards the mainstream, albiet the alternative mainstream. The trio she formed kicks up a racket without ‘selling out’ – whatever that means now.

Tweleve tight songs, (10 by Timony and two by Besty Wright), a straight forward sound, and guitars to the fore make this debut a logical add to any alt-rock playlist. The simple pleasures are sometimes the best.

NOTES & MINUTIAE: Famous producer Mitch Easter engineered this record.


 GRADE A-: Good songs, tight arrangements, and rockin’ guitars. Yeah, yeah, yeah.


Karla Bonoff – The Best of Karla Bonoff: All My Life

ARTIST: Karla Bonoff                   512D5ZEjtjL._SX425_

TITLE: The Best of Karla Bonoff

YEAR RELEASED: Compilation


SINGLES: I Can’t Hold On (#76), Baby Don’t Go (#69), Personally (#19)

OTHER SONGS YOU MAY KNOW: Not by her. Several artists covered her stuff.

LINEUP: Karla Bonoff and some of the best session players in LA

WHAT’S IT ALL ABOUT: Singer songwriter really had the songs, but somehow didn’t quite make it big – unlike her compatriot Linda Ronstadt.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: More known as a songwriter, unless you have “Personally” stuck in your head, Karla Bonoff’s recording career was beset by bad luck or bad timing or something. From the start of her career (with a band featuring Andrew Gold, Kenny Edwards, and Wendy Waldman) to the end, it just didn’t happen for her as it should.

It’s definitely an LA singer/songwriter album, with Bonoff leading a group of the best session players at the time through their paces. A lot of the songs have a tinge of melancholy and heartache – some resignation and loss also sneak in there. But her sense of melody and her voice is strong and the arrangements are spot on.

“Personally” is the one you probably knpw, but most of this is quite decent. If you’re into the LA scene of the late 70’s, you could do worse. And you probably did.

NOTES & MINUTIAE: In one of the biggest ironies in music, “Personally” wasn’t written by her. A performer more known for songwriting had her only success with a song she didn’t write. Hmmm.


GRADE B: There are a few things I exiled, and the whole thing isn’t streaming as a unit (but you can put it together if you wish).

Coven – Witchcraft Destroys Minds and Reaps Souls

ARTIST: Coven                                                                                                                                                                                                     

TITLE: Witchcraft Destroys Minds & Reaps Souls           



SINGLES: Wicked Woman

OTHER SONGS YOU MAY KNOW: Black Sabbath (oh, wait, this is a different one)

LINEUP: Jinx Dawson, Greg ‘Oz’ Osbourne, Jim Donelson, Rick Durrett, Steve Ross

WHAT’S IT ALL ABOUT: The first really Satanic-themed record.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Forever known as the purveyors of “One Tin Soldier”, and known by some as the band that threw up the “Devil Horns” first, Coven was, well, a band composing of followers of the occult.

Singer Jinx Dawson is the star. She can belt out these devilish tunes with great fervor. But there’s some cringe-worthy moments (the chanting in some songs is almost funny, really) and when Jim Donelson sings (a hired gun by Dunhill Records) he’s so wimpy compared to Dawson, especially when he sings “For Unlawful Carnal Knowledge”.

Dawson herself saves a lot of the material, which is rather much warmed-over organ-driven psychedelic rock instead of proto-metal (though there’s some tasty guitar here and there, especially on “Choke, Thirst, Die”). But thanks to bad press due to Manson, Mercury pulled this record before the publicity could help sales.

NOTES & MINUTIAE: Despite them being actual members of a coven, the core group (Dawson, Osbourne, Ross) didn’t write much of their first album.


GRADE C: I exiled some of this, and it’s really more of a curio than anything.

Matchbox Twenty – Exile on Mainstream

ARTIST: Matchbox Twenty  Exile_on_Mainstream

TITLE: Exile on Mainstream

YEAR RELEASED: 2007 (it’s half new, half comp)

CHART ACTION: #3 US, #1 Alternative, #53 UK

SINGLES: New songs; How Far We’ve Come (#11 US, #157 UK), All Your Reasons, These Hard Times; Charting comp songs: Push (#38 UK), 3AM (#64 UK), Real World (#38 US, #92 UK), Back 2 Good (#24 US), Bent (#1 US), If You’re Gone (#5 US), Mad Season (#48 US, #76 UK), Disease (#29 US, #50 UK), Unwell (#5 US, #83 UK), Bright Lights (#23 US)


LINEUP: Rob Thomas, Brian Yale, Paul Doucette, Kyle Cook, Adam Gaynor. Ryan MacMillan played drums on the new cuts, as Gaynor left and Doucette went to guitar from drums.

WHAT’S IT ALL ABOUT: Six new songs, 11 old ones. They’re pretty indistinguishable from each other.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: You look up at the singles, and you notice that “3 AM”, and “Push” aren’t charting on the Billboard chart. Well, they were just radio promo singles here. And did they get airplay! Matchbox Twenty were a safe rock alternative from all of the detuned downer mopers. Safe is the word.

Somehow labeled as “Alternative”, Matchbox Twenty is about as straightforward of mainstream rock as you got in the late 90’s and early 2000’s. They are what they are – crafted for airplay among many radio formats with the loud / soft dynamic, the acoustic to electric, the semi-acappela parts, and enough hooks to fill a fishing supply company.

It was interesting that the six new songs were appended to a greatest hits release. I didn’t say it was a good decision, since about half of those new songs are just…there.

NOTES & MINUTIAE: After this album, they took five years to release another. In fact, they released 4 ½ records in 16 years.


GRADE C+: It’s Matchbox Twenty. It’s mostly nostalgia now, and it’s oh, so safe.

Nick Cave & the Bad Seeds – The Firstborn Is Dead

ARTIST: Nick Cave & the Bad Seeds       220px-The_Firstborn_Is_Dead

TITLE: The Firstborn Is Dead




OTHER SONGS YOU MAY KNOW: They cover Wanted Man

LINEUP: Nick Cave, Blixa Bargeld, Barry Adamson, Mick Harvey

WHAT’S IT ALL ABOUT: For their second album, Nick Cave leads his Bad Seeds into a blues exploration. A scary, dark, demon-laced blues exploration.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: “Tupelo”, based on a John Lee Hooker song, with some parts lifted from Lead Belly, and lyrics about Elvis Presley and Christ, is a perfect opener to this record. It’s a classic Nick Cave performance, with his voice evoking all kinds of emotions, and his band playing the menacing licks while singing the backing vocals as they were a cowboy band.

But the rest of the record doesn’t let up, either, with the blues and early rock-and-roll getting the Bad Seeds treatment. The band contributes greatly as well and it all concludes “Blind Lemon Jefferson”, a tribute to the old bluesman.

There’s not a lot wrong with this album, though their cover of “Wanted Man” isn’t as effective and “Black Crow King” overstays its welcome. Still, for “Tupelo” alone, it’s worthwhile.

NOTES & MINUTIAE: The title refers to Elvis Presley’s stillborn twin Jesse.

IS THERE A DELUXE VERSION: A CD vesion has a B-side

 GRADE A-: Creepy blues record thrills and chills.

The Mekons – Fear and Whiskey

ARTIST: The Mekons             R-1048893-1423850467-5698.jpeg

TITLE: Fear and Whiskey


CHART ACTION: None (sniff…)



LINEUP: Jon Langford, Tom Greenhalgh, Sally Timms, Susie Honeyman, Lu Edmonds, Rico Bell, Steve Goulding, Mark White

WHAT’S IT ALL ABOUT: The Mekons, mark 2, trade anarcho-punk for anarcho-alt-country-before-its-time.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: After a couple of albums and a classic single or two, the original band of the Mekons petered out in 1982. But during the Coal Strike of 1984, the core of the group decided the time was nigh for a reboot, and The Mekons rode again.

But, there was a new sound. Instead of clattering punk rock, there was fiddle, slide guitar, and a country tilt to the entire sound. Now, there was still some anarcho-wierdness (“Trouble Down South”), and some experimental tracks (the spoken word “Psycho Cupid”) but traditional sounding songs like “Flitcraft” exist in this universe too, along with the fantastic lead cut “Chivalry”.

They’re still loose, they’re still political, but God love ‘em, they came back with a strong record that defied expectations.

NOTES & MINUTIAE: I’ll cover the early version of the band when I review their compilation, which will cover the entire gamut of the band. The classic mid-80’s and early-90’s albums will be reviewed in whole, though.


 GRADE A: The Mekons definitely started some of the alt-Country movement, and they didn’t even know it.

Black Rebel Motorcycle Club – Take Them On, On Your Own

ARTIST: Black Rebel Motorcycle Club          220px-TTOOYO

TITLE: Take Them On, On Your Own



SINGLES: Stop (#19 UK), We’re All in Love (#45 UK)

OTHER SONGS YOU MAY KNOW: Not here, maybe over there.

LINEUP: Robert Turner, Nick Jago, Peter Hayes

WHAT’S IT ALL ABOUT: BRMC avoids the sophomore slump with a solid album that shows more diversity in sound and motifs.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: There’s a fire and a snarl to this, the second album by the US born and UK loved (at the time) Black Rebel Motorcycle Club. The sound is by parts more hard rock, yet more sonically adventurous, and also more in your face about subjects and riffs.

The trio coalesces as a true unit here, with everyone contributing to the overall shape of the song and the dynamic tension involved. It’s really a good step for the band to not just repeat the formula than won them UK fans and accolades.

Others in the critic-sphere didn’t appreciate this record as much, but to my ears, this is a worthy followup.

NOTES & MINUTIAE: The title track was a B-side, not on the album.

IS THERE A DELUXE VERSION: Japan, of course.

 GRADE A-: They showed some growth and consistency here

The Dave Clark Five – American Tour

ARTIST: The Dave Clark Five                  220px-American_Tour_(_Epic_1964_)

TITLE: American Tour



SINGLES: Because (#3)

OTHER SONGS YOU MAY KNOW: Oh, no, because Dave Clark kept everything under wraps (and still does)

LINEUP: Dave Clark, Mike Smith, Lenny Davidson, Rick Huxley, Dennis Payton

WHAT’S IT ALL ABOUT: A better than usual hit + filler thanks to some strong songwriting.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: At first glance, this may be “Because” plus 11 other tracks. Not so fast.

Yeah, there are some instrumentals, but the band gets into them with great vigor. And “Come on Over” is a blatant rip of “Glad All Over”, but still stomping fun. But what makes the deep cuts special is the booming bass of Rick Huxley. His deep bass lines, unusual for the UK scene, make his sound distinctive and adds a sonic character to the tracks that the usual UK 60’s bands didn’t have. Add in Dave Clark’s booming drums.

Sure, it’s short and sometimes slight, and probably best for DC5 or beat group fanatics, but they’ll love it.

NOTES & MINUTIAE: Dave Clark has allowed some whole albums to stream. Of course, there was such a disparity between US and UK albums (the band didn’t release many UK albums until 1968, but cranked out 13 between 1964 and 1967, including four each in 1965 and 1966.


 GRADE B: My sister left me this album and I played it quite a bit as a kid, because it’s right in a kid’s wheelhouse. It’s got charm and stompability.

Sleater-Kinney – Call the Doctor

ARTIST: Sleater-Kinney               220px-Callsoctorskinney

TITLE: Call the Doctor



SINGLES: None really

OTHER SONGS YOU MAY KNOW: Call the Doctor, I Wanna Be Your Joey Ramone

LINEUP: Corin Tucker, Carrie Brownstein, Lora Macfarlane

WHAT’S IT ALL ABOUT: Second album from Olympia feminist punks establishes their cred as one of the best bands of the scene in the 90’s.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Starting out with the blast of “Call the Doctor”, a punk anthem for sure, but then moving to a complicated track like “Hubcap”, then a complete screamer like “Little Mouth”, Sleater-Kinney showed versatility in their attack and sound. They could change it up and still scream loudly if need be.

As the record goes on, you can feel Sleater-Kinney reveling in their songs and feminist power, strategically placing rage so you don’t get worn out. The structures of the songs are also varied and tricky, with the two-guitar attack varying and the riffs flowing (but not always the way regular rock riffs are constructed). When Corin Tucker says, “I’m the Queen of rock-and-roll”, there’s so much conviction that you believe her and will follow her.

You needed this record in 1996, and you need this record in 2019 to combat the crap going on in the world, right now.

NOTES & MINUTIAE: Now, when they play “Joey Ramone” live, they change the reference in a lyric from Thurston Moore to Kim Gordon.


 GRADE A+: Every song either grabs you immediately, or sneaks up on you later. Play it loud, and scare the patriarchy.