Category: Rufus

Rufus – Rufusized

ARTIST: Rufus                                    Rufus_-_Rufusized

TITLE: Rufusized


CHART ACTION: #7 US, #2 R&B, #48 UK

SINGLES: Once You Get Started (#10 US, #4 R&B, #2 Dance) Please Pardon Me (You Remind Me of a Friend) (#48 US, #6 R&B)

OTHER SONGS YOU MAY KNOW: The deep cuts played on some radio stations.

LINEUP: Chaka Khan, Tony Maiden, Kevin Murphy, Bobby Watson, Andre Fischer

WHAT’S IT ALL ABOUT: Rushing back into the studio, Rufus recorded a set that kept their momentum that fit right next to their last record, even with turnovers in personnel.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: To many people, Chaka Khan was Rufus, and that impression caused a few of their old members to bolt. But the replacements fit right into the groove established earlier in 1974, so all was good for this album.

It’s got a similar funky feel, and Chaka Khan’s vocals are the focal point (except for the funky instrumental “Rufusized”). None of the songs have reached the cultural zeitgeist of their early hits, yet most all of the cuts are quality, especially the early feminist anthem “I’m a Woman (I’m a Backbone)”

NOTES & MINUTIAE: Keyboard player Nate Morgan was on the album cover, but didn’t participate in the sessions.  And officially, the band is now Rufus (featuring Chaka Khan), but that’s unweildy.


 GRADE: A-:  A perfectly fine funky record.

Rufus – From Rags to Rufus

ARTIST: Rufus Rags_to_Rufus
TITLE: Rags to Rufus
SINGLES: Tell Me Something Good (#3, #3 R&B), You Got the Love (#11, #1 R&B)
OTHER SONGS YOU MAY KNOW: I don’t think so
LINEUP: Chaka Khan, Dennis Belfield, Andre Fisher, Kevin Murphy, Al Ciner, Ron Stockert, Tony Maiden.
WHAT’S IT ALL ABOUT: After one rather unsuccessful album, the record company hears the reactions to the Khan-sung singles, immediately says Chaka Khan should be the focal, and viola, hit city. Half of the band leaves after the album’s recorded.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Rufus had a tangled history from its formation to the recording of its first album, which rather much laid an egg. Still, the record company saw that some stations were playing the songs sung by Chaka Khan instead of the main single sung by Stockert. So, it was decided that Khan should be the focal point.

Tension? Yeah, that created tension. But that also created a new sound a pretty decent album. There’s some hot funk, some decent soul and Khan can sing some ballads as well. They also had some heavy-hitting songwriting help. Stevie Wonder gave them “Tell Me Something Good” and Ray Parker, Jr. co-wrote “You Got the Love” with Khan and the team of Ashford and Simpson contributed the ballad “Ain’t Nothin’ But a Maybe”.

It’s not totally polished, as the tension also made the production rushed (Stockert left halfway through the recording – and Ciner and Belfield left soon after). Still, there are enough good cuts to keep this around.

NOTES & MINUTIAE: Their first album seems not to exist in the streaming world. That’s OK; I’m not listing as missing. It was little noticed when it was out.


GRADE: B+: I wavered on moving this up a notch because of the great singles, but there’s just something a bit rough about some of the album cuts.