Category: ZZ Top

ZZ Top – Deguello


TITLE: Deguello



SINGLES: I Thank You (#34), Cheap Sunglasses (#89)(!)

OTHER SONGS YOU MAY KNOW: I’m Bad I’m Nationwide, Manic Mechanic, Dust My Broom

LINEUP: Billy Gibbons, Dusty Hill, Frank Beard

WHAT’S IT ALL ABOUT: A long rest and an absorption of new musical influences revitalized the band.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: After a short break turned into a long break, where the three members went their separate ways to separate countries, ZZ Top got back together and started their revitalization with new approaches and ideas.

They dug into the blues, soul, a little funk, and even some new wave. The band learned how to play saxes, added keyboards and electronic effects. The end result was a glorious mix of styles, and all with an attitude and style epitomized by “I’m Bad, I’m Nationwide”, and “Cheap Sunglasses”

This is ZZ Top at its freshest and most exciting. Every track seems well thought out and not just filler. For some reason it didn’t sell right away, but FM radio started to pick this up and it went platinum.

NOTES & MINUTIAE: One – this isn’t streaming, but you can put it all together except for the last track (“Esther Be the One” – which is a fine song). Two – they asked the Phil Donahue show for the technology that they used to mask and distort voices, and they used it on “Manic Mechanic”.


 GRADE: A-: A rest refreshed the band and they came through with one of their best

ZZ Top – Tejas


TITLE: Tejas



SINGLES: It’s Only Love (#44), Arrested for Driving While Blind (#91), Enjoy and Get It On (#105)


LINEUP: Billy Gibbons, Dusty Hill, Frank Beard

WHAT’S IT ALL ABOUT: A mediocre record from a tired-sounding band.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: ZZ Top had been touring basically non stop since their founding, and seemingly lost its mojo when they went into the studio to record their fourth (and a half) studio album.

The album is more country and blues based than much of their previous efforts, and utilized a shuffle rhythm more than anything. The songs seem less adventurous and lascivious, repeating many of the same things. Only some interesting wordplay saves some of the tracks (“I’ve gotten good at missing her / I practice all the time” from “Pan Am Highway Blues”) and Gibbons uses his deeper growl for “El Diablo”. The tracks also seem padded out a bit with extended outros on some tracks.

It’s not to say that it’s a horrible album, it’s just flat and uninspired for the most part. After this album and another tour, the band took a 90-day-into-two-year break and came back with a revitalized crowd pleasing album.

NOTES & MINUTIAE: On the abomination that was the Six Pack (remixed versions of six of their first seven albums with ‘updated’ Eliminator-like drums and mixes – avoid!), the geniuses cut out the first line to “Arrested for Driving While Blind”. Get the real version.


 GRADE: B-: They were worn out here.

ZZ Top – Fandango!

ARTIST: ZZ Top                     220px-ZZ_Top_-_Fandango

TITLE: Fandango!



SINGLES: Tush (#20)

OTHER SONGS YOU MAY KNOW: Heard It on the X, Nasty Dogs and Funky Kings, Thunderbird

LINEUP: Billy Gibbson, Dusty Hill, Frank Beard

WHAT’S IT ALL ABOUT: Half studio, half live, half of a great album.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: I’ve been wondering about this release. The studio side is probably the best, most cohesive side the band had done in their career, with the only true misstep is the subtle racism / sexism in “Mexican Blackbird” that probably didn’t raise any eyebrows in 1974.

The live side starts with the smokin’ hot “Thunderbird” (after about a minute of milling around), but then only has two more tracks, including a ending medley that really didn’t work.

Why didn’t the band release a whole show (or most of it) on three sides, and then side four the new studio tracks? Not having more studio tracks may be burnout or writer’s block – they were on tour for a long time in 1973 and 1974. Still, the brevity of the live side makes this not a great value, no matter how hot the studio tracks were.

NOTES & MINUTIAE: “Thunderbird” was a track originally done by the Nightcaps, but they never applied for the copyright. Oops.

IS THERE A DELUXE VERSION: More live tracks, but from a much later show, and just three of them.

 GRADE: B: I wish I could score it higher – and it would be if it were a studio EP or a double set with more good live material.

ZZ Top – Tres Hombres

ARTIST: ZZ Top                               220px-ZZ_Top_-_Tres_Hombres

TITLE:  Tres Hombres



SINGLES: La Grange (#41), Beer Drinkers & Hell Raisers

OTHER SONGS YOU MAY KNOW: Waiting for the Bus, Jesus Just Left Chicago

LINEUP: Billy Gibbons, Dusty Hill, Frank Beard

WHAT’S IT ALL ABOUT: Putting it all together, ZZ Top records their commercial breakthrough.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: After slowly gaining in popularity (regionally, for the most part), ZZ Top’s blend of blues and boogie found its audience when this stormed out of speakers in 1973.

At first, “La Grange” was the cut of choice, and it still causes a commotion whenever it’s on the radio. Yet, the album is full of glorious blues and rock-and-roll. The opening tracks (“Waiting for the Bus” and “Jesus Just Left Chicago”) have been fan favorites for years, and many of the deep tracks are just as solid as the hits (especially “Precious and Grace” – that one should be cranked up as high as possible).

Gibbons’ guitar work is versatile as usual, with great slide, blues and boogie riffs sprayed all over the place and Frank Beard’s drumming has strengthened and he adds more flair to his work.

There isn’t a track that I’d leave off, but the side closers aren’t as strong as the rest of the tracks (they’re still not that great at slowing down). That’s a quibble – you gotta have this in your rock collection.

NOTES & MINUTIAE: Everyone knows that “Waiting for the Bus” and “Jesus Just Left Chicago” blend together on album, but it wasn’t planned. An engineer spliced the songs too close so they went together as they were a medley.

IS THERE A DELUXE VERSION: Yes, three live tracks.

GRADE: A:  This may be the pinnacle of ZZ Top, especially early Top.

ZZ Top – Rio Grande Mud

ARTIST: ZZ Top                                    220px-zz_top_-_rio_grande_mud

TITLE:  Rio Grande Mud



SINGLES: Francine (#69)


LINEUP: Billy Gibbons, Dusty Hill, Frank Beard

WHAT’S IT ALL ABOUT: Better riffs, better variety, better songs. This is ZZ Top all the way, just no one really knew it yet.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: This is the launching point for the classic 70’s ZZ Top sounds. Compared to the first album, there are more rock-and-roll elements here than in their first album, and a more varied attack of the blues.

“Francine” and “Just Got Paid” roar out from the start with two ripping classics (though “Francine” is really inappropriate) and then record moves toward more of a blues feel, ending with a long, slow blues “Sure Got Cold After the Rain Fell”, the great “Whiskey’n Mama” and “Down Brownie”, a tribute to a girl who takes them out for a good time.

The consistency between tracks is better, and every song has its high points. It’s not perfect, but if you love ZZ Top and don’t want the usual, grab this one.

NOTES & MINUTIAE: Steve Perron and Kenny Cordray actually wrote “Francine” (which also is spelled “Francene” at times).


GRADE: A-: Air slide guitars to the fore!

ZZ Top – ZZ Top’s First Album

ARTIST: ZZ Top 220px-ZZ_Top_-_ZZ_Top's_First_Album
TITLE: ZZ Top’s First Album
SINGLES: (Somebody Else Been) Shaking Your Tree
OTHER SONGS YOU MAY KNOW: Backdoor Love Affair (mainly because it was on Fandango!).
LINEUP: Billy Gibbons, Dusty Hill, Frank Beard (Credited as Rube Beard)
WHAT’S IT ALL ABOUT: Underground (at the time) guitar hero’s band records first album that’s mainly unheard.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Before forming ZZ Top, Gibbons was a member of the Moving Sidewalks, and famously Jimi Hendrix name-checked him on the Tonight Show. However, that didn’t result in public awareness of him, and when he formed ZZ Top, the public wasn’t clamoring for him, either.

That’s a shame, because while it’s not earth-shattering, this album is a decent blues-rock trio album that showcases Gibbons’ skill at blues guitar, especially using a slide. Already, the band was exploring risqué territory with double entendre songs.

The material is decent, but spotty at times. There are about six or seven really interesting cuts and a couple that are just there. But the single, “Brown Sugar”, “Goin’ Down to Mexico” and “Just Got Back from Baby’s” are top notch that’d fit on any early ZZ Top album. Don’t ignore this, even if you haven’t heard any of it.

NOTES & MINUTIAE: Before this album was released, ZZ Top released a single featuring “Salt Lick” and “Miller’s Farm”. The band is different, it’s a quartet, and uses an organ like the Moving Sidewalks.

IS THERE A DELUXE VERSION: No. It’s funny, ZZ Top didn’t have many outtakes at all, or non-album B-sides that weren’t just live album tracks.

GRADE: B+: No one really heard it, but it’s a good intro to ZZ Top, much like most of their early stuff.