Tag: 1972

Tami Lynn – Love Is Here and Now You’re Gone

ARTIST: Tami Lynn                              love is here tami lynn 2

TITLE: Love Is Here and Now You’re Gone

YEAR RELEASED: 1972

CHART ACTION: None

SINGLES: I’m Gonna Run Away from You (#4 UK)

OTHER SONGS YOU MAY KNOW: Mojo Hanna, That’s Understanding

LINEUP: Tami Lynn and session players

WHAT’S IT ALL ABOUT: Intriguing soul album half-pieced together from older tracks, and then new tracks with spoken monologues between the cuts.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: This record is interesting in many ways, outside of the good to great soul music that it contains. The second side is many of Tami Lynn’s singles (or tracks she recorded as singles) dating back from 1966, with “I’m Gonna Run Away from You” belatedly hitting the charts in 1971 in the UK thanks to the Northern Soul junkies.

That gave Lynn a chance to fill out an album, and the first side is interesting as it’s some good soul slow jams, ending with a jubilant “That’s Understanding”. The tracks have monologue introductions by Lynn, talking about the stages of a love affair. love is here tami lynn

Those spoken pieces don’t add much to the tracks as far as I’m concerned, so it kind of ruins the flow of what otherwise would be a good to great soul record.

NOTES & MINUTIAE: She sang backing voals for many groups in the 60’s and 70’s

IS THERE A DELUXE VERSION: No 

GRADE: B: A downgrade for the monologues, which ruin the flow.

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King Crimson – Earthbound

ARTIST: King Crimson                                  220px-King_Crimson_-_Earthbound

TITLE: Earthbound

YEAR RELEASED: 1972

CHART ACTION: None

SINGLES: None

OTHER SONGS YOU MAY KNOW: 21st Century Schizoid Man (live)

LINEUP: Robert Fripp, Boz Burrell, Mel Collins, Ian Wallace

WHAT’S IT ALL ABOUT: A crappily recorded live record by a band on the verge of breaking up (well, at least, leaving Fripp behind). You can imagine…

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: I’m sure that the shows presented here, if you attended them, were pretty good. King Crimson live has always been built on improvisation with unexpected twists and turns and interesting angles on their extant songs.

This record, from their 1972 US tour, was the sound of a band breaking away from its leader. Robert Fripp had once again alienated a band, and by the end of the tour his three bandmates were off doing their own thing. The band was deep into improve, with two of the tracks truly off-the-cuff, and two others variations on already recorded instrumentals. Only “21st Centry Schizoid Man” is somewhat recognizable from the record and it’s powerful and scary.

That would be great, and many fantastic live Crimson gigs are out there that contain a lot of improv. What makes this record egregious is the recording medium – a low quality cassette tape recorded on a two-track plugged into the mixer which totally distorts the sound, makes it muddy, and nearly impossible to improve even with the best technologies available today.

The sad thing is that this would be decent, if not for the sound. But it was foisted on the public because by all accounts King Crimson was dead and Island wanted some final cash from them, and Fripp agreed to it (if he had a choice, even).

NOTES & MINUTIAE: Wallace, Burrell, and Collins joined Alexis Korner for a while after splitting with Fripp.

IS THERE A DELUXE VERSION: No, but there will be a new box set from this era which may have better sounding live dates

GRADE: D: This should never have been released. Many bootlegs sound better than this. It doesn’t get an “F” because the version of “Schizoid Man” is terrifying (in a good way, as it should be).

 

Curtis Mayfield – Superfly

ARTIST: Curtis Mayfield                220px-CurtisMayfieldSuperfly

TITLE: Superfly

YEAR RELEASED: 1972

CHART ACTION: #1 US, #1 R&B, #26 UK

SINGLES: Freddie’s Dead (#4 US, #2 R&B), Superfly (#8 US, #5 R&B, #52 UK)

OTHER SONGS YOU MAY KNOW: Pusherman

LINEUP: Curtis Mayfield, Joseph Lucky Scott, Master Henry Gibson, Morris Jennings, Carig McMullen. Tyrone McCullen played drums on one track. They used session strings and horns.

WHAT’S IT ALL ABOUT: A soundtrack that was much better than the movie. An iconic funk album perfect for the mood in summer 1972 (which was dark and dingy).

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: While Curtis Mayfield definitely had some appeal thanks to his work with the Impressions and his solo work, it was this album that thrust him into the stratosphere as a musical innovator, producer, and arranger.

Mayfield’s high, pleading voice was perfect for the story of the movie and how he told it, which was a grim tale of drugs in the inner city – a lot grimmer than the film to be honest. Yet, as impressive as Mayfield’s vocals were, it was his use of funk, coupled with horns and an orchestra, that captured the perfect sound for these songs.

On all accounts, this is a powerful testament, and highly influential. Mayfield was always writing about positivity and empowerment, and through the bleakness there is hope. Musicians should still study this album for the impact that melody and arrangement can have in creating a mood and feel, while still enjoying the funk.

NOTES & MINUTIAE: Many executives didn’t think this was going to be a hit. Oh, how wrong they were.

IS THERE A DELUXE VERSION: Yes. A version with working demos and studio outtakes exist. Intriguing to hear the process of the record.

GRADE: A+: A perfect soundtrack for the times, and the movie.

Bang – Bang

ARTIST: Bang                                                                  bang

TITLE: Bang

YEAR RELEASED: 1972

CHART ACTION: #164

SINGLES: Questions (#90)

OTHER SONGS YOU MAY KNOW: Wow, no.

LINEUP: Frank Ferrara, Frank Glicken, Tony Diorio.

WHAT’S IT ALL ABOUT: Heavy Philly proto-metal bands first release was met with mostly indifference, but now is looked at as proto-doom.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Throw this into the proto-metal power trio hopper – Bang features a bassist and vocalist singing in a high (but not shrieking) register, along with a guitarist and drummer. But the music was sludgy and heavy, more like Sabbath than anything.

With its sound, Bang was definitely too heavy for real commercial success in the 70’s, despite the charting of a hit single. The production sounds muddy, as studios didn’t really know how to process a sound like theirs – lots of low end mud.

There’s some good stuff here, though, and you can see why “The Queen” is an influence on later doom metalists. It’s a curiosity, mostly, but metal guys would be served to take a listen for historical purposes.

NOTES & MINUTIAE: They had recorded an entire concept album that was put on the back burner by Capitol Records for later release. It didn’t get released until 2001.

IS THERE A DELUXE VERSION: No.

GRADE: B-: There’s something here, something compelling, that keeps me listening. Also, the cover is great.

Neil Young – Harvest

ARTIST: Neil Young                  220px-NeilYoungHarvestalbumcover

TITLE: Harvest

YEAR RELEASED: 1972

CHART ACTION: #1 US, #1 UK

SINGLES: Heart of Gold (#1 US, #10 UK), Old Man (#31 US)

OTHER SONGS YOU MAY KNOW: A Man Needs a Maid, The Needle and the Damage Done

LINEUP: Neil Young, Ben Keith, Jack Nitzche, Tim Drummond, Kennty Buttrey and other guests like CSN, Linda Ronstadt, and James Taylor

WHAT’S IT ALL ABOUT: A laid back country influenced album from Young becomes a hit and Young’s signature record, much to his chagrin.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Neil Young definitely had an ear for combining country, folk, and rock. Yet, he wasn’t part of the nascent ‘country rock’ movement, he was his own man, as always.

There’s a melancholy air to the album, fitting the times. A lot of the songs are commentaries on the life in 1972, political, social, and generational. There’s a couple of cuts that break away from the country-sounding style thanks to some orchestration added on (a rarity for Young).

While this was popular, and some songs are poignant, a few cuts just seem tossed off to fit the theme and aren’t as meaningful as others.

NOTES & MINUTIAE: “Alabama” was a followup to “Southern Man”, and those songs made Lynyrd Skynyrd respond to him. Also, Young didn’t like the spotlight, and retreated by making his next few albums uncompromising and non-commerical.

IS THERE A DELUXE VERSION: No.

GRADE: B: I know this is one of his best-loved album by casual fans, but only a few tracks seem at par with Young’s best.

Roy Buchanan – Roy Buchanan

ARTIST: Roy Buchanan                           MI0000616898

TITLE: Roy Buchanan

YEAR RELEASED: 1972

CHART ACTION: None

SINGLES: Sweet Dreams, Haunted House

OTHER SONGS YOU MAY KNOW: He covers a Merle Haggard and Hank Williams song.

LINEUP: Roy Buchanan, Chuck Tilley, Teddy Irwin, Pete Van Hallen, Dick Heintze, Ned Davis.

WHAT’S IT ALL ABOUT: First real commercial studio album from an under-known yet influential guitarist.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Thanks to an early PBS documentary, Roy Buchanan went from a local DC legend to a national recording artist. His playing with the Telecaster inspired numerous guitarists and gained praise from John Lennon, Merle Haggard, and the Rolling Stones.

This is a simple album, with some cover songs (including an inspired take of the 60’s novelty tune “Haunted House”). Only a few cuts have vocals, those by country vocalist Chuck Tilley. The playing is raw and ragged at times, but it seemed like Buchanan and the band were having a good time.

This is a guitar-head’s album, and well worth it for those who love the Telecaster sound.

NOTES & MINUTIAE: Buchanan’s career spanned several years, starting with playing for Dale Hawkins and then Ronnie Hawkins, and then settled into session work before settling down in DC.

IS THERE A DELUXE VERSION: No

GRADE: B+:  This is for Telecaster fans!

ZZ Top – Rio Grande Mud

ARTIST: ZZ Top                                    220px-zz_top_-_rio_grande_mud

TITLE:  Rio Grande Mud

YEAR RELEASED: 1972

CHART ACTION: #104

SINGLES: Francine (#69)

OTHER SONGS YOU MAY KNOW: Just Got Paid

LINEUP: Billy Gibbons, Dusty Hill, Frank Beard

WHAT’S IT ALL ABOUT: Better riffs, better variety, better songs. This is ZZ Top all the way, just no one really knew it yet.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: This is the launching point for the classic 70’s ZZ Top sounds. Compared to the first album, there are more rock-and-roll elements here than in their first album, and a more varied attack of the blues.

“Francine” and “Just Got Paid” roar out from the start with two ripping classics (though “Francine” is really inappropriate) and then record moves toward more of a blues feel, ending with a long, slow blues “Sure Got Cold After the Rain Fell”, the great “Whiskey’n Mama” and “Down Brownie”, a tribute to a girl who takes them out for a good time.

The consistency between tracks is better, and every song has its high points. It’s not perfect, but if you love ZZ Top and don’t want the usual, grab this one.

NOTES & MINUTIAE: Steve Perron and Kenny Cordray actually wrote “Francine” (which also is spelled “Francene” at times).

IS THERE A DELUXE VERSION: No

GRADE: A-: Air slide guitars to the fore!

Steely Dan – Can’t Buy a Thrill

ARTIST: Steely Dan                            cant_buy_a_tcant_buy_a_thrill

TITLE:  Can’t Buy a Thrill

YEAR RELEASED: 1972

CHART ACTION: #17 US, #38 UK

SINGLES: Do It Again (#6 US, #39 UK), Reelin’ in the Years (#11 UK)

OTHER SONGS YOU MAY KNOW: Dirty Work, Kings

LINEUP: Donald Fagan, Walter Becker, David Palmer, Denny Dias, Skunk Baxter, Jim Hodder

WHAT’S IT ALL ABOUT: First album by sophisticated rock band already shows their impeccable production and somewhat ‘interesting’ songs.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: While most of rock was still in the boogie-boogie-boogie throes of Grand Funk, or the wimpy-wimpy-wimpy throes of singer songwriters, here comes Steely Dan, with sophisticated melodies and chords, great production, and hooks.

Already from the first album, you can tell that Steely Dan was going to feature fantastic production. Not every rookie band with two hot shot guitarists would ask yet another guitarist to do the solo in a song because of how it sounded. The performances are spot on, the harmonies almost perfect, and the arrangements are definitely, adult, instead of what was happening out there at the time.

This record, though, has some of the weaker songs in the Steely Dan canon. That’s almost to be expected, since it’s a debut, and Walter Becker and Donald Fagan were just starting to flesh out their ideas. A few tracks are more of a lounge act than rock band. But when at its best, this is a winner.

NOTES & MINUTIAE: David Palmer was added as a vocalist on the road because Fagan was unsure of his voice, and did the lead vocal for “Dirty Work”. Also, there is an early single that the band has basically buried – it’s never been on album or collection.

IS THERE A DELUXE VERSION: No

GRADE: A-:  A great debut with a unique sound for the time (and to this day, really).

Jo Jo Gunne – Jo Jo Gunne

ARTIST: Jo Jo Gunne                   jojogunne-090431182529

TITLE:  Jo Jo Gunne

YEAR RELEASED: 1972

CHART ACTION: None

SINGLES: Run Run Run (#27 US, #6 UK)

OTHER SONGS YOU MAY KNOW: Nope

LINEUP: Jay Ferguson, Matt Andes, Mark Andes, Curly Smith

WHAT’S IT ALL ABOUT:  One-hit wonder’s album really showed why they were a one-hit wonder, despite the presence of Jay Ferguson.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Featuring two members from Spirit (and those same two members would find fame as a solo artist (Jay Ferguson) or a member of Firefall and Heart (Mark Andes), Jo Jo Gunne’s first album was released with much promise.

Featuring a great single in “Run Run Run”, it was hoped that their brand of rock-and-roll boogie would catch fire. It didn’t, and it’s plain to see why. Except for the single, none of the songs are truly memorable.

Boogie-rock is fine if you have some hooks. Heck, Status Quo has hooks, and they play the same song over and over again. Jo Jo Gunne’s sound is pretty fresh, but the songs are just there and there’s nothing compelling drawing you in to listen. I’m disappointed as I always heard decent things about this record, but on listen it’s meh.

NOTES & MINUTIAE: Mark Andes left after this album. They carried on for three more records before Jay Ferguson went solo.

IS THERE A DELUXE VERSION: No.

GRADE: C+: Upgraded for the single. Some exiled.

Ohio Players – Pleasure

ARTIST: Ohio Players                                     220px-pleasureohioplayers

TITLE:  Pleasure

YEAR RELEASED: 1972

CHART ACTION: #63. #4 R&B

SINGLES: Pleasure (#45 R&B), Varee is Love, Funky Worm (#15, #1 R&B)

OTHER SONGS YOU MAY KNOW: Not unless you were funky enough.

LINEUP: Sugarfoot Bonner, Rock Jones, Pee Wee Middlebrooks, Junie Morrison, Andrew Noland, Marvin Pierce, Gregory Webster.

WHAT’S IT ALL ABOUT:  Funk group hits its stride, and breaks out with a novelty hit about…well…a funky worm.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: “Funky Worm” was a hilarious (well, I think it’s funny) tune about a worm that plays guitar, and features the “Granny”, a character developed by Junie Morrison.

Dang it, though, this is funky and hot all the way through. The synthesizers and keyboards by Morrison were definitely trailblazing, and the rest of the band develops great grooves and hooks in the grooves. The band sounds loose and like they’re having fun, which adds to the atmosphere.

Ballads (first and last cut of side two) still trip them up a bit, and vocals are an afterthought. It’s still quite funky.

NOTES & MINUTIAE: Morrison’s ARP synthesizer in “Funky Worm” has been sampled by numerous acts.

IS THERE A DELUXE VERSION: Yes, a few b-sides and leftover cuts. Some great, some not so great.

GRADE: A-: Except for the ballads, this is like nine cans of shaving powder funky.